How To Gardening How to landscape around your buildings

How to landscape around your buildings

By Nancy Norris | June 21, 2013

| Last updated on March 22, 2024


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What do your buildings have to say for themselves? Each structure evokes a feeling for its purpose, the folks who might live or work there, and a bit about the history that transpired on the premises, as shown in photo 1. How the structure was built and maintained is “written on the walls.” All of the buildings shown here are good examples of how the surrounding landscape can impart realism. The hardscape and plants show off each structure while blending it into the whole scene. Let’s get to the bottom of this subject.

The bottom

model building on garden railway
1. “Are we civilized yet?” might be what Fred Harvey would want his hotel to say. Patrons relax under the portico at the elegant Fred Harvey Hotel while waiting for John and Lorrie Rockey’s Santa Fe & Western Railroad. A dwarf boxwood (Buxus sp.) shelters the entrance and Elfin thyme (Thymus serpyllum ‘Elfin’, Zones 4-9) spreads out for a no-mow lawn. Little succulents in pots complete the manicured Zone 5 landscape. Nancy Norris photo

Begin with the base/footing/foundation. A good foundation will accomplish several goals, including stability from erosion, weed abatement, leveling of the structure, and a reserved spot on which to return the building after maintenance or storage.

For strong, level foundations, excavate 3-6″ beneath the extended footprint of each intended building location. For a level town row, dig one, large, flat-bottomed pit. Fill the void with an underlayment of several inches of crushed base rock or decomposed granite (DG). Tamp it with a tamper or walk on it. When the compressed material approaches the finish grade, top off the footing with DG fines or coarse sand.

scene with house on garden railway
2. After hiking the (Zone 6) German Alps clothed in sedums and dwarf junipers, enjoy a refreshing stein at the Biergarten. A concrete terrace supported by mortared-tile steps and rocky slopes invites customers to dine. Hanna Moog photo

Now get on your knees and drag a level over the area, checking the bubble often and pushing the gravel where needed to level the ground. Tamp again and recheck the level. The surrounding earth may have to be retained with little walls of your choice if you’re working on a slope. Behind the structure, on the same slope, rock walls and wooden cribbing could retain a hillside, but the front may require more sophisticated detailing (see below).

If you’re sure about the placement and size of your building, you can mix cement products into DG or sand before completing the above process. In photo 2, the restaurant’s concrete foundation extends to include a patio; note how the mortared stone wall matches the surrounding stonescape, from which the wall’s stones would naturally have been gleaned. For a less permanent foundation, sprinkle or pour a 1:2 or 1:3 solution of concrete-bonding adhesive in water over the finish grade of gravel to set up the top inch or so.

scene with mansion on garden railway
3. The Chicago Botanic Garden’s railroad goes all out to depict the lavish gardens one would expect at the home of a world leader. Bonsai turf grass serves as a stage for the White House lawn. The long, low, manicured boxwood hedge gives an air of formality, as do the flanking red barberry ‘trees’ (Berberis sp). Japanese maples make the backdrop. Up front, boulevard cypress trees create the wings—the transition to other scenes in this public Zone 5 garden railway. Hanna Moog photo

At this point you could augment the footing with a more solid base or foundation. HardieBacker cement board is a good choice for a hard foundation, provided care is taken not to breathe the silica dust while cutting it. DG fines may be glued to the board with Titebond II or III (or concrete-bonding adhesive) for a gravel-pathway or driveway look.

Whether you use tile, pavers or bricks, your strategy depends on your climate and your need to protect structures from pets and other hazards. Any hardened foundation makes blowing, hosing/washing and general cleanup far easier than dirt alone.

Curb appeal

structure with track in front of it
4. HardieBacker board keeps the Kaweah depot platform clean in case it needs to be hosed off on Tom and Laura Rey’s Sierra Valley Railroad in Zone 10. Mature dwarfs, such as a dwarf brush cherry (Eugenia myrtifolia ‘Teenie Genie’, Zones 9-11) on the left and a miniature white snowrose (Serissa foetida ‘Kyoto’, Zones 9-11) on the right, impart a sense of permanence and age. Nancy Norris photo

Urban or rural, the difference between full-scale (1:1) landscaping and miniature landscaping is in the number of plants required to create the desired effect. The principles remain the same, so we can look to the landscape pros for advice on how to “sell” a building. First, prepare the house by cleaning and repairing it. Remove all clutter: i.e., excess items that take away from the whole. Improve the lighting and visibility by adding or taking away shadows/foliage to change the mood. Finally, arrange all items to support the focal point of the building.

Photo 3 epitomizes a lush, modern landscape. The Chicago Botanic Garden arranges appropriately sized trees and shrubs to show off our president’s grand home. Note that larger trees behind the house keep the focus in front of it. The helicopter parked on the bonsai turf helps to tell the story of the White House.

church with plant around it
5. When the creeping fig (Ficus repens, Zones 7-11) on the fence went to church, Tom and Laura Rey didn’t mind. A trident maple, on the left, pruned into a tree, stays fairly well behaved and keeps its distance. Nancy Norris photo

A century ago, landscaping with shrubbery from nurseries was uncommon. After constructing wonderful masonry foundations, as in photo 4, homeowners wouldn’t think of hiding their structures. Tom and Laura Rey model a 1917 Central California town, with scratchbuilt Precision-board (precisionboard.com) buildings. These rest on HardieBacker cement-board bases, retained by precision-board “stone” walls (see Tom Rey’s how-to in the Aug. 2007 GR). Conversely, when the Reys’ vine-covered fence got out of control in photo 5, the creeping-fig vines clung to a “stone” church to mimic a page out of Sleeping Beauty. This scene is a clue to the abandoned historic town it models, Kaweah, in the Sierra foothills, a utopian colony that didn’t quite make it (read the Reys’ railroad story in the Oct. 2006 GR).

Depth charge

structure with trees behind it
Appropriateness in plant and building materials adds realism. Rex and Carla Woederer chose a little brick building for their roadside apple stand, because apples need a cool storage facility. Cotoneaster adpressus ‘Tom Thumb’ (Zones 4-7) easily represents their orchard of semi-dwarf apple trees. Even the car tracks in the gravel let you think it just rained. Finally, how did they get their weeds to look like weeds? Nancy Norris photo

If you have a deep enough yard, you can layer natural or man-made elements both in front of and behind the buildings, similar to the way Walt Disney introduced us to multi-dimension cartoons. One of Walt’s multi-plane cameras is on display at the Disney family museum, including a video describing its revolutionary use in animation (www.youtube.com/watch?v=kN-eCBAOw60).

train approaching green lawn
Mike Paterson gave up trying to keep the Village Green green. Now he buys putting-green turf at www.heavenlygreens.com. Reversing the usual, he hides the edges of the rug under the dirt to let us believe it’s the real thing. A blooming snowrose shades the outdoor restroom. Nancy Norris photo

Our outdoor dioramas are like a cross between animation and full-scale landscaping. The most absorbing scenes suck us into the story to participate. By now we all know that planting larger leaves in front and smaller leaves in the rear creates the illusion of depth. Bluish shrubs in the rear become the hazy hills and up-front white or red buildings pop into view (photo 8). The Watters used another trick and lined up their town away from us instead of left to right, as is the usual. In photo 9, can you feel their Sierra whistlestop inviting us in, as if anticipating our arrival? One might have taken this photo while riding the train half a century ago. If a two-dimensional picture is worth a thousand words, a model is worth a thousand pictures.

wood structure with train passing behind it
Color speaks volumes. Richard and Evelyn Wolf, instead of planting contrasting plants near this shack on The D&E Garden RR, chose to set their scene on fire with the shocking orange and willowy wildness of the heather (Calluna sp.). The sedum groundcover adds more monochromatic red. Nancy Norris photo

 

scene on garden railway

Don Watters constructs and maintains buildings and Sue Watters arranges the Truckee town folk on their shaded Lake Tahoe and Truckee Railroad in Zone 9. In the foreground, trident maples (Acer buergerianum, Zones 4-9) and a trestle infused with baby tears (Soleiolia soleirolii, Zones 9-11) contrast the dwarf boxwood (Buxus microphylla var., Zones 5-9) in the mid-ground and mountainous rocks behind the scene. Nancy Norris photo

Regional gardening reports

Zones listed are USDA Hardiness Zones

 

Question: How do you blend your buildings into the surrounding railway with a minimum of maintenance?

Keith Yundt
Victoria, British Columbia,
Canada, Zone 6b

Station-ary stone

yellow yhouse with train passing by
Under Susch Station, Keith Yundt buried a precast concrete “step” to fit flush with the track platforms and surrounding gravel. To plant trees near the station, he just dug holes in the stone dust, put in some compost and soil, and backfilled them. A Japanese cedar (Cryptomeria japonica ‘Compressa’, Zones 6-9) seems happy. As in bonsai, the roots are contained, weeds don’t easily get a foothold, and the area stays clean, with one exception—moss seems to love this stone dust in the Pacific Northwest. Keith Yundt photo

We agreed early on that we wanted a minimum of structures on our garden railway so that the railroad would retain a rural look that would fit well with our Swiss RhB (Rhätische Bahn) theme. To help retain the rural look, my first wooden structures were designed to sit on the ground—either on stone dust or low plants, such as sedums or Elfin thyme. For our two Pola-kit structures (a chalet inn and Susch Station), we decided to use store-bought, concrete stepping stones because they almost perfectly matched the footprint of the large inn and fit in well with the station and adjacent track platforms. The concrete keeps the plants (mainly moss) from encroaching, looks like a typical concrete-platform surface, and instantly levels the buildings when we put them in the garden.

Richard Friedman
Sacramento, California, Zone 9
Yard trees

Hersey train on garden railroad
Two yard trees that work for Richard Friedman are false Mexican heather (left, with small pink flowers) and clumping, micro-miniature roses. Richard Friedman photo

For trees that don’t hide buildings, I’ve got a couple of successes. I’ve found that false Mexican heather (Cuphea hyssopifolia, Zones 8-11) grows a little taller than many buildings. Clumping stems have a fairly loose structure, so they make a nice “yard” tree. The others that work well are micro-miniature roses (Rosa sp.). I’ve used them for windbreaks as well as “eye breaks” to separate scenes, that would otherwise be too close together. Lastly, I’ve got a dwarf azalea that was grown quite tightly but also makes a fine yard tree and has grown very little.

Cecil Easterday
Near Columbus, Ohio, Zone 5
Landscape catalog

city scene on garden railway
All the plants Cecil Easterday mentions are landscaping her model town in the Sparta & Shelby Railroad. Cecil Easterday photo

Landscaping the buildings to make them look real is my favorite part of gardening in the railroad. Special favorites are those dwarf versions of my larger garden plants. They always make me smile as I watch them change over the years.

Lawn. The small leaves and tight growth of miniature moneywort (Lysimachia japonica ‘Minutissima’, Zones 4-8) make a nice, open yard in front of houses. The tiny yellow flowers that appear in May and June look like a lawn full of dandelions.

Yard shrubs. The very small Astilbe ‘Perkeo’ (Zones 4-9), with 6-8″ lacy foliage, bears tiny spikes of pink blooms. A dwarf goatsbeard, Aruncus aethusifolius (Zones 4-8), grows ferny leaves near the lighthouse. Also, in the shaded town, miniature hostas tucked around the edge of buildings perk up the railway. My favorite is H. ‘Cat’s Eye’ (Zones 3-8) with 3″ gold-centered leaves. My favorite “shrub” is Buxus ‘Koreansis Nana’. This miniature boxwood is placed at the corner of a replica of the house I grew up in. Now 10 years in the railroad, it’s 3″ tall and a foot wide, after only one pruning last summer.

Yard trees. A gorgeous dwarf conifer grows near one of the residences, so perfectly shaped that I always look twice at it. It’s a Picea abies ‘Little Gem’ (Zones 3-8), a true dwarf Norway spruce, only 18″ tall at five years old. Near the church, a nice broadleaf tree, dwarf variegated andromeda (Pieris japonica ‘Little Heath’, Zones 4-8) sports new red growth in the spring, turning to cream and green in the summer. Another attractive shrub that works in the city or the country is the Berberis thunbergii ‘Bagatelle’ (Zones 4-8). It’s one of the dwarf barberries (easily pruned to 18″), with bright-red foliage that really sparks up the landscape.

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